Learn how muslins, prototypes, and bodice blocks perfect fit, refine patterns, and streamline sewing adjustments for a flawless, well-fitted garment.
Today, we’re covering muslins—how they relate to design prototypes, when to use them, and why starting with a bodice block is crucial for a good fit.
Now, let’s clear up a common misunderstanding: Muslins, toiles, and mock-ups are essentially the same thing. The reason people call it a muslin is because it’s traditionally made out of muslin fabric, which is a plain-woven cotton. But in reality, a muslin should be made from a fabric similar in weight and stretch to your final garment fabric, especially when working with knits or heavier structured designs, such as jeans or coats.
A muslin is not just about testing fit—it’s also about evaluating the overall design, construction, and adjustments needed before committing to final fabric. Designers use prototypes made from the actual fabric when preparing for production, but in home sewing, we use muslins to work out issues before cutting into expensive material.
So, should you always make a muslin? Yes—IF you need to test and correct the pattern. But if you already have a bodice block that fits you, then your adjustments can start from there.
A prototype is different from a muslin because it’s created using the final fabric to check all aspects of a garment—fabric behavior, construction, and finishing. In contrast, a muslin is a test version used to perfect fit and shape before moving forward.
For example, let’s say you’re making a coat—you don’t want to make a muslin out of thin cotton muslin fabric because it won’t behave like wool or heavy tweed. Instead, you’d use a mock-up in a similar-weight fabric to test the structure properly.
If you’ve been following my teachings, you know that the bodice block is a must-have tool for fitting patterns. It allows you to:
For me personally, I always have to lower my dart—whether it’s a Simplicity, Vogue, McCall’s, or even my patterns. It’s a consistent adjustment I make, and I know this because I use my bodice block as a fitting guide.
Another example—I always have to raise the underarm seam on my patterns. If I weren’t checking this against my block, I’d be making a separate muslin every single time just to discover the same issue.
Once I’ve made a muslin, I place it on my dress form to analyze the fit and make adjustments directly on the fabric.
For example, with the Jasmin pattern that I designed, placing the muslin on the dress form allowed me to evaluate the design’s proportions before making final decisions. This is how professional designers work, and it’s a method that prevents wasting fabric and time.
A muslin is not just about making a test garment—it’s about learning what needs to be fixed before moving to final fabric. The mistake many beginners make is thinking that a muslin will magically make their final garment fit. No—it’s only useful if you take the time to:
That’s why I emphasize bodice blocks—they save time and allow you to sew with confidence instead of guessing.
Categories: : pattern fittimg